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The Castelli Method

  10.10.2018   redazione   Artists   No comments

Leo Castelli is recognised as the most avant-garde art dealer of the twentieth century and his method has become a model still viable today for the art market.

The galleries selection in art fairs

  8.10.2018   redazione   Art World   No comments

The annual calendar of art lovers is punctuated by art fairs, which are now held in all seasons and dot the agendas of gallerists and international collectors.

Corporate Art Collections

  5.10.2018   redazione   Art World   No comments

The term Corporate Art refers to any artistic property within a collection managed by a company.

Find your appropriate gallery

  2.10.2018   redazione   Artists   No comments

There are different ways to get in touch with art galleries, you just have to know where to go and how to introduce yourself.

The Artworks Insurance

  28.09.2018   redazione   Artworks   No comments

The main insurance companies have policies designed specifically for art collections, in order to protect them from multiple risks.

Corporate Museum

  26.09.2018   redazione   Art World   No comments

In the world there are a lot of companies that make up their own corporate museum, based on the existing territorial context and perfectly integrated with the productive circumstances of

The Statement

The Statement is among the tools that allow the artist to communicate the reasons for his research to the art world.

The online art market

The 2018 Report of Hiscox Art Online Trade with Art Tactic has shown a continuous growth in online art sales.

Art, Technology and Innovation: “Report Art & Finance 2018 “- Deloitte

  5.06.2018   redazione   Art World   No comments

Recently, the new report Art&Finance 2018  2018 published by Deloitte in collaboration with Art Tactic has highlighted how in the future technology will increasingly be at the service of the art market.

The fakes in the Art World

  18.05.2018   redazione   Art World   No comments

The experts of the Fine Art Expert Institute di Ginevra (FAEI) have estimated that more than half of the artworks in circulation result be to fake. In Italy the recents cases reveal