From 18 May in Italy museums, parks and archaeological areas together with art galleries and cultural spaces have started to reopen.
The activities of a very important sector for the country were suspended from March 8, and the statistics in the post Coronavirus recorded for 460 museums of the over 5,000 the non-attendance of almost 19 million visitors and a non-collection of about 78 million euros.
MUSEUMS: POST CORONAVIRUS STATISTICS
The numbers of the impact of CO-VID 19
ISTAT has published the trend and scenarios on state museums, providing estimates of the...
THE DIFFERENT TYPES OF ART EXHIBITIONS
The exhibits are not all the same.
How many types of exhibition are there?
The art exhibition represents the most...
Instagram Stories: Complete Guide for Artists
Doubts about how to make effective Instagram Stories for your art?
Here is the complete guide for artists
Instagram Stories are...
THE EVALUATION OF ARTWORKS
Discover the triad of art evaluation
A collector must pay increasing attention to the purchase of works of art, where the passionate...
Invasive practice or protection and opportunities for urban art?
The restoration or conservation of Street Art are practices that have only recently been considered.
When, how...
For museums, the lockdown with the foreclosed physical spaces was an opportunity to enter the world of digital and online.
For many, the experience proved to be new and perhaps tiring, certainly unusual, as full of surprises and curiosities in a substantially unexplored terrain.
As for what has happened, it is possible to affirm that an attention has spread that has taken on the profile of the need, such as that of the opportunity, up to that of the indispensability to operate in the new digital frontiers.
Randomness and a bit of luck, together with high specialization are the ingredients that have determined the path of Lapo Sergi, Presidents of APICE SCrl, a unique company with a strong internationally recognized identity dedicated to packaging, transport, shipping and storage services of works of art.
In questa puntuale intervista Clarenza Catullo presenta per la prima volta e nel dettaglio il Registrar, cosa fa e cosa dovrebbe fare all’interno di un museo, con quali interlocutori del mondo dell’arte si rapporta e il percorso da compiere per diventarlo.
Discover the secrets of the most important national and international gallerists, to understand how they select their artists, the qualities they seek in an...
Discover the secrets of the most important national and international gallerists to discover how they select their photographers, what features they seek in an...
Discover the secrets of the art told by the best gallerists
Download the FREE Ebook Vol.1
Discover the secrets of the most important Italian gallerists, understand...
From 18 May in Italy museums, parks and archaeological areas together with art galleries and cultural spaces have started to reopen.
The activities of a very important sector for the country were suspended from March 8, and the statistics in the post Coronavirus recorded for 460 museums of the over 5,000 the non-attendance of almost 19 million visitors and a non-collection of about 78 million euros.
MUSEUMS: POST CORONAVIRUS STATISTICS
The numbers of the impact of CO-VID 19
ISTAT has published the trend and scenarios on state museums, providing estimates of the...
THE DIFFERENT TYPES OF ART EXHIBITIONS
The exhibits are not all the same.
How many types of exhibition are there?
The art exhibition represents the most...
Instagram Stories: Complete Guide for Artists
Doubts about how to make effective Instagram Stories for your art?
Here is the complete guide for artists
Instagram Stories are...
THE EVALUATION OF ARTWORKS
Discover the triad of art evaluation
A collector must pay increasing attention to the purchase of works of art, where the passionate...
Invasive practice or protection and opportunities for urban art?
The restoration or conservation of Street Art are practices that have only recently been considered.
When, how...
For museums, the lockdown with the foreclosed physical spaces was an opportunity to enter the world of digital and online.
For many, the experience proved to be new and perhaps tiring, certainly unusual, as full of surprises and curiosities in a substantially unexplored terrain.
As for what has happened, it is possible to affirm that an attention has spread that has taken on the profile of the need, such as that of the opportunity, up to that of the indispensability to operate in the new digital frontiers.
Randomness and a bit of luck, together with high specialization are the ingredients that have determined the path of Lapo Sergi, Presidents of APICE SCrl, a unique company with a strong internationally recognized identity dedicated to packaging, transport, shipping and storage services of works of art.
In questa puntuale intervista Clarenza Catullo presenta per la prima volta e nel dettaglio il Registrar, cosa fa e cosa dovrebbe fare all’interno di un museo, con quali interlocutori del mondo dell’arte si rapporta e il percorso da compiere per diventarlo.
